Caroline Ingham

Caroline InghamCaroline InghamCaroline Ingham

Caroline Ingham

Caroline InghamCaroline InghamCaroline Ingham
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    • Home
    • Artworks
      • Sculpture, recent work
      • Sculpture
      • Paintings
      • Drawings
      • Collective Artwork
    • About
    • Six Artists
    • News
    • Archive
    • Contact
  • Home
  • Artworks
    • Sculpture, recent work
    • Sculpture
    • Paintings
    • Drawings
    • Collective Artwork
  • About
  • Six Artists
  • News
  • Archive
  • Contact

Sculpture

At a time when health is increasingly recognised as a legitimate area for artistic inquiry, my own explorations centre around the flawed presumption of health as the norm and the personal narratives we construct to enable us to navigate experiences of trauma and illness. These ideas manifest in my practice as a deep concern with the quality and character of the materials I use to create ‘feeling scapes’ of the body: textures that evoke a sense of the body, together with ideas of what it is to be human. 


Exploring areas around painting and sculpture, assemblages form the core of my practice. Created using a palette of hand-dyed textiles and distemper-impregnated canvas, wax, wire, plaster, and LED lighting, the aim of these works is to engender ideas through sensation and to prompt consideration of what it is like to live in a vulnerable body, transient, in a precarious world.



Detail Fissure 2020

Aquacryl soak-stain and  hand-dyed textiles with wax

Damaged Body Series

Damaged Bodies This new series of works reference wax anatomical models, oozing bodily fluids and hint at what might lie beneath our flesh. They present an abstract idea of the body and prompt us to consider its mutability.  


Damaged Body Series

Damaged Body

Damaged Body Series 2024

52 cm  x 42 cm  x 12 cm 

Vegetable dyes, wax,

paper and fabric 

    Absent bodies

    Absent Bodies is a new series of work that concentrates on the interplay between groups of hand-stitched and painted assemblages and their shadows.  


    Absent Bodies Series

    Self-portrait (red), 

    Absent Body Series 2023

    217 cm  x 40 cm  x 20 cm 

    Hand-dyed, hand-stitched, painted          

    and wired textiles



      Enfleshing Ghost Series

      Enfleshing Ghost Series is a derivation from the Enfleshing I-VI. It begun with a drawing made on site of the shadows cast by Enfleshing I-VI when exhibited at Copeland Gallery, Peckham in November 2021.  The two works Sometimes and Eventually  you will win are three dimensional representations of the shadows. 

      Enfleshing Ghost Series

      Sometimes, 2022

      75 cm  x 27 cm  x 7 cm 

      Hand-dyed and silkscreened textiles, 

      net, latex and wire

        Enfleshing I-VI

        Enfleshing I-VI is a series of works made for Rules of Six  the inaugural exhibition of Six Artists. Rules of Six appropriated a regulation designed to limit social contact as a framework for a collective, creative effort – albeit one carried out at a distance. Six artists, six works each, one shared (virtual) space.



        Enfleshing I-VI

        Enfleshing I, 2020

        40 x 42 x 15 cm

        Laser-cut distemper-impregnated canvas, net,

        hand-dyed textiles, latex and wire, with LED lights

          Perceptual Shift

          A series of four works, investigating our shifting relationship with our bodies. These works are brought together into sculptural forms using ‘free sewing’ where strips of textile, string and latex are incorporated into the stitched line as it is being made. The visceral qualities of each are activated with light.


          Perceptual Shift

          Portal, 2020 (right)

          143 x 49 x 43 cm

          Soak-stain and hand-dyed textiles,

          wax, wire and LED lights

            Knotted Form

            Knotted Form explores how the relative textures and weights of plaster and stuffed fabric can be exploited to create corporeal form. The weight is made more apparent by the long hanging ribbons and a notion of the internal body is exacerbated by the subtle pink tones of the fabrics, hand-dyed with natural pigments. 


            Knotted Form

            Knotted Form I, 2020

            40 x 118 cm high including hanging 'ribbons' 

            (46 cm without) x 38 cm deep

            Hand-dyed fabric and plaster

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