My practice explores the tension between strength and fragility through non-figurative forms that subtly evoke the human body. My work contributes to the evolving language of contemporary sculpture, extending material and conceptual boundaries through an accomplished, highly resolved approach.
Working between sculpture and painting, I draw on a sophisticated understanding of materials, techniques, and process. With an acute awareness of corporeality and material potency, experimentation is central to my practice. I currently employ a technique unique to my work: distemper-impregnated paper, waxed and meticulously stitched, to create forms that appear both durable and delicate. This rigorous methodology enables me to investigate surface, skin, and structure in ways that resonate with the physical and emotional dimensions of the body. My handling of material reflects a deep awareness of its expressive and structural potential.
Informed by my lived experience of chronic illness, the work is underpinned by critical engagement with contemporary discourse surrounding the body, vulnerability, and resilience. Surface and structure become sites where endurance and transformation are registered and revealed. Stitching functions as both material intervention and metaphor for trauma and repair.
My practice invites sustained reflection, positioning vulnerability not as weakness but as a generative and complex condition within contemporary sculptural practice.
Based in London, I completed an MA in Fine Art (Painting) at Camberwell College of Arts, UAL, in 2020, following an extensive career in museum design at the British Museum and Natural History Museum.
Selected exhibitions: selected for The London Group Open 2025, Copeland Gallery, Peckham, London November 2025; Materiality: Edition One, The Handbag Factory, September 2025 and Society of Women Artists annual exhibition 2021; solo show Shadow Work, Norwich University of the Arts, 2021; Group exhibitions Rock, Paper, Scissors KOPPEL Collective, Chalk Farm, 2026; Convergent, Safehouse 1, Peckham, 2025; On the Surface, Copeland Gallery, Peckham, 2024; Breathing Space, Nunnery Gallery, Bow, 2024.
Shortlisted for the Roboz Zsuzsi Scholarship 2021.
* Creamer, A-M (2019) The Wounded Storyteller: on speaking vulnerability, acknowledging dependence Anne-Marie Creamer is an artist and she is a Senior Lecturer at Central Saint Martins, University of the Arts London.

The next opportunity to see my work is:
The First Round Proper
The Second Half 17-25 April 2026 PV 22 April 6-8pm
BLOC Projects, 171 Eyre Lane, Sheffield, S1 4RB